{"id":513,"date":"2019-10-16T17:03:50","date_gmt":"2019-10-16T08:03:50","guid":{"rendered":"http:\/\/sax.xsrv.jp\/aizen-wordpress\/?page_id=513"},"modified":"2019-12-26T21:53:46","modified_gmt":"2019-12-26T12:53:46","slug":"aizenartist-19","status":"publish","type":"page","link":"https:\/\/sax.co.jp\/en\/aizenartist-19\/","title":{"rendered":"Testimonial from Yukikazu Mine"},"content":{"rendered":"<div class=\"n-content\">\r\n        <div class=\"t-box\">\r\n          <div class=\"t-box-i\">\r\n            <h2>Testimonial from Yukikazu Mine<\/h2>\r\n            <p><font size=\"4\">\r\n            <img decoding=\"async\" src=\"https:\/\/www.egakki.com\/image\/mine.jpg\" hspace=\"10\" vspace=\"0\" align=\"left\">\r\n\t\t\tWell, I tried out my new (Aizen) mouthpiece onstage today, and tried out the embouchure in a range of different tones. I kept it pressed fairly firmly to the lips in a classic wind instrument style of play; I blew softly and I was able to play a smooth, glossy solo piece with great ease. Going on to eight beat and Latin solo pieces, I used a fat lip style of embouchure with more tonguing. With that, I got a fine, steady response right up into the high notes. I didn&#8217;t have to strain to get the sound out, I could just relax and play. \r\n\t\t\t<BR><BR>\r\n\t\t\tI&#8217;ve played in full ensembles for many years, but I think amateurs (who normally can&#8217;t create their own sound) will be able to achieve a whole new range of tones on this mouthpiece, trying out different styles of embouchure.\r\n\t\t\t<BR><BR>\r\n\t\t\tCompared with their earlier model, the current Aizen mouthpiece has better response. Again in comparison, I&#8217;m not a hundred percent sure about the richness of sound at the lower end of the register, but I can recommend this piece for ensemble situations where the alto plays the major role. You&#8217;ll get the brightest tone at a 7 aperture with a Vandoren 2 1\/2 reed. With a Rico Royal 2 1\/2 reed, you&#8217;ll get more harmonics and a slightly sharper tone.\r\n\t\t\t<BR><BR>\r\n\t\t\tCompared with other pieces up to now, this piece can handle both a deep, throaty style of play and lighter styles too. So, you should recommend to players that they experiment a bit, and not just approach it with their normal style of embouchure. I&#8217;m certain that every player can find their own best approach to using this piece that&#8217;s how good quality it is, whatever aperture you choose. Professional players will immediately get what this piece is about, I think.\r\n<\/font>\r\n\t\t\t<BR>\r\n\t\t\t<BR><BR>\r\n\t\t\t<font size=\"4\"><strong>Biography<\/strong><\/font>\r\n\t\t\t<BR><BR>\r\n\t\t\t<font size=\"4\">\r\n\t\t\tYukikazu started playing jazz in college, and has been a professional jazz player since 1970. He spent fifteen years playing lead alto with a variety of well-known ensembles. Moving to Tokyo, he spent ten years with Kiyoshi Maekawa&#8217;s backing band, and thirteen years as leader of the singer Yoshimi Tendo&#8217;s band. Yukikazu is also active in the jazz scene in the Chiba area, just east of Tokyo. He is also a highly regarded teacher of saxophone and flute, among other instruments.\r\n\t\t\t<\/FONT>\r\n\t\t\t<\/font>\r\n\t\t\t<BR><BR>\r\n\t\t\t<object width=\"560\" height=\"340\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/uYhRi_4gAWY&#038;hl=ja_JP&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/uYhRi_4gAWY&#038;hl=ja_JP&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"560\" height=\"340\"><\/embed><\/object>\r\n\t\t\t<BR><BR>\r\n\t\t\t<object width=\"560\" height=\"340\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/4PGaNg00Yac&#038;hl=ja_JP&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/4PGaNg00Yac&#038;hl=ja_JP&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"560\" height=\"340\"><\/embed><\/object>\r\n\t\t\t<BR><BR>\r\n\t\t\t<object width=\"560\" height=\"340\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/e6sumiTa2NU&#038;hl=ja_JP&#038;fs=1&#038;rel=0\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/e6sumiTa2NU&#038;hl=ja_JP&#038;fs=1&#038;rel=0\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"560\" height=\"340\"><\/embed><\/object>\r\n\t\t\t<BR><BR>\r\n\t\t\t<object width=\"560\" height=\"340\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/Hg0gQmdSJSE&#038;hl=ja&#038;fs=1\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/Hg0gQmdSJSE&#038;hl=ja&#038;fs=1\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"560\" height=\"340\"><\/embed><\/object><\/center>\r\n\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n        <\/div>\r\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Testimonial from Yukikazu Mine Well, I tried out my new (Aizen) mouthpiece onstage today, and tried out the embouchure in a range of different tones. I kept it pressed fairly firmly to the lips in a classic wind instrument style of play; I blew softly and I was able to play a smooth, glossy solo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page2.php","meta":{"_locale":"en_US","_original_post":"86"},"_links":{"self":[{"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/pages\/513"}],"collection":[{"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/comments?post=513"}],"version-history":[{"count":2,"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/pages\/513\/revisions"}],"predecessor-version":[{"id":880,"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/pages\/513\/revisions\/880"}],"wp:attachment":[{"href":"https:\/\/sax.co.jp\/wp-json\/wp\/v2\/media?parent=513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}